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Immerse yourself in collections that reflect empowerment, resilience, and the profound connection to the natural world. Each artwork is a unique fusion of beauty, emotion, and narrative, designed to evoke a lasting impression.

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The 1920's

The 1920s, often called the “Roaring Twenties,” was a decade of major social change, especially for women. After World War I, many countries experienced economic growth and shifting cultural values. Traditional ideas about women’s roles began to change rapidly.

In 1920, women in the United States gained the right to vote through the 19th Amendment. This was a historic victory after decades of activism and gave women a stronger voice in politics and public life.

The decade also introduced the “New Woman.” Flappers challenged social norms by wearing shorter skirts, cutting their hair into bobs, and enjoying jazz music and nightlife. In cities like New York City, women experienced greater independence, working outside the home and embracing new freedoms.

More women entered the workforce, especially in office jobs, teaching, and nursing, and increasing numbers pursued higher education. However, inequality in pay and opportunity remained. Not all women shared the same experiences. During the Harlem Renaissance, African American women played important roles in art and culture while still facing discrimination.

Overall, the 1920s was a turning point for women. It expanded political rights, encouraged independence, and laid the groundwork for future movements for equality.

Inna with antlers - Femicide Women with Antlers

FEMICIDE

In a mythycal  world, women begin to grow antlers.
Not delicate crowns, but strong, twisting branches — bone and memory rising from the skull. They grow in silence, overnight, in response to fear. Every act of violence adds another point, another curve.

The antlers are not for beauty. They are for protection — against the hands that grab, the eyes that follow, the men who think they can hunt. When danger comes close, the antlers hold their ground.

In myths, horns belonged to gods and beasts; now they belong to women. The wildness once shamed is reborn as armor. The forest begins to shift — not a place to hide, but a place to fight from.

One day, when the violence stops, the antlers might fall away. But until then, women walk tall, sharp silhouettes against the sky — no longer prey.

The Innocents - Femicide part II

The Innocents is a series dedicated to the women who survive femicide—those who walk away with their lives, yet carry wounds that cannot be seen. Each figure is draped in white, a color traditionally associated with purity, renewal, and the fragile hope of beginning again. The white blindfold they wear speaks to the reality so many women face: violence often arrives without warning, hidden behind the familiar walls of home or the faces of those they trust.

The blindfold symbolizes a truth that is both universal and heartbreaking—women rarely see danger coming. Not because they are unaware, but because the threat is too often embedded within their closest relationships, disguised as love, protection, or family.

In painting these women, I aim to transform silence into vision. Their stillness becomes resistance. Their whiteness becomes illumination. Their presence becomes testimony.

The Innocents stands as a tribute to survivors and a reminder that the violence they endure is neither invisible nor inevitable. It is a call to witness, to acknowledge, and to refuse the quiet normalization of harm against women.

Eco-Feminism

Eco-feminism explores the interconnected oppression of women and nature, arguing that patriarchal systems have historically dominated both. One of the most subtle yet powerful tools of this domination is language. The words and metaphors used to describe women often reflect and reinforce societal views that link femininity with nature, emotion, and instinct—traits traditionally devalued in male-dominated cultures. Among the most telling examples of this are the animal metaphors used to describe women, such as “cow” or “goose.” These terms reveal how women’s bodies and identities are objectified and trivialized, mirroring the ways animals and the natural world are exploited for human use.

Nudes & Feminism

In the twentieth century, feminist artists began to challenge this tradition directly. Artists such as Judy Chicago, Hannah Wilke, and Jenny Saville reclaimed the nude female body as a site of strength, subjectivity, and self-expression. Rather than presenting women as passive objects, they used nudity to confront taboos, explore bodily realities, and critique beauty standards. This shift transformed the meaning of the nude from an object of consumption to a statement of identity and autonomy. Contemporary artists continue this work, using photography, performance, and digital media to question how gender, sexuality, and the body are represented in visual culture.

FLOWER GIRLS

VARIOUS FORMATS

“This is where you can find my additional works that don’t fit into the other categories. Please take a look — some of my best pieces are featured here!”

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Bring home a unique fusion of strength and sensitivity. Each painting carries a narrative, responding to social issues while exploring themes of identity and transformation. Experience art that evokes emotion and leaves a lasting impression.